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  • Record/Vinyl

    Hard Tip-On Sleeve

    ships out within 3 days
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      ‚ā¨25 EUR or more 



ūüé∂ bit.ly/3aigrCH

A1 - Il Vuoto - Seq. 1 (night jazz per vibrafono)
A2 - Il Vuoto - Seq. 2 (night Jazz per sax baritono)
A3 - Il Vuoto - Seq. 3 (swing per sax baritono)
A4 - Estasi

B1 - Il Vuoto - Seq. 4 (Cordovox in 6/8)
B2 - Evasione
B3 - Il Vuoto - Seq. 5 (Sud America - ritmico per voce maschile)
B4 - Frenesia
B5 - Il Vuoto - Seq. 6 (twist)
B6 - Il Vuoto - Seq. 7 (blues per organo)


LP, wt Hard Tip-On Sleeve


released April 30, 2021

Four Flies is proud and excited to present the first full-album release of the long-forgotten soundtrack composed by Armando Trovajoli for Piero Vivarelli’s 1964 movie Il Vuoto.
Rightly considered by many to be a key figure, if not the key figure, in the history of Italian jazz, Trovajoli was responsible for fostering an appreciation and understanding of jazz among the generation of music listeners and musicians raised under Mussolini and Fascist nationalism. His outstanding work as a pianist, composer and conductor contributed immensely to the popularization of the genre among the general public and to the reduction of institutional bias against it.
The collaboration between Trovajoli and Vivarelli did not happen by chance. The latter,¬†now regarded as one of Italy‚Äôs ‚Äúkings of the B‚Äôs‚ÄĚ for his work in the ‚Äėexotic-erotic‚Äô genre (IL DIO SERPENTE,¬†CODICE D'AMORE ORIENTALE, etc.) was a great music expert, a skilled talent scout for the Italian music industry, and a true lover of jazz.
Most of Trovajoli‚Äôs score for¬†IL VUOTO¬†has a refined smoothness that is clearly reminiscent of cool jazz ‚Äď many tracks on the soundtrack are performed by a sextet featuring Trovajoli himself on piano, Carlo Zoffoli on vibraphone, Berto Pisano on double bass, and Gino Marinacci on baritone sax and flute, Enzo Grillini on electric guitar, Berto Pisano on double bass, and Sergio Conti on drums and percussion. At the same time, Trovajoli explores other jazz styles or sub-styles in faster, more rhythm-oriented tracks influenced by bossa nova, samba, and even rock‚Äôn‚Äôroll, where instruments like drums and percussion, electric guitar, or flute take center stage.
This stylistic variety demonstrates both the maestro‚Äôs versatility as a composer and the fine skills of the musicians who performed on the soundtrack. Like Trovajoli, they were all pioneers of Italian jazz and played in Italy's very first ‚Äėinstitutional‚Äô jazz orchestra: the¬†Orchestra di Musica Leggera¬†of the RAI (the Italian public broadcasting company), formed under Trovajoli‚Äôs leadership in 1956 and credited as ‚Äúhis orchestra‚ÄĚ in public performances and in the album¬†The Beat Generation¬†(RCA Italiana, 1960).
By making available for the first time ever almost all of the music recorded by Trovajoli for IL VUOTO, this LP fills an important gap in the maestro’s discography.  Most importantly, it offers further insight not only into the history of Italian jazz, but also into the penetration of the genre into Italian film music, which was possible thanks to Trovajoli’s mastery as a composer and to the virtuosity of the pioneering musicians who performed in his orchestra.



Four Flies Records Italy

Italian golden age soundtracks rescued from oblivion. Previously unreleased or lesser-known pieces by greats like Alessandroni, Umiliani, Sorgini, D'Auria and others.

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